Technology camera

 Technology: Camera

Avengers Endgame. Hollywood Reporter reports that out of 2,698 shots in the film, 2,496 involved VFX, as revealed by Marvel Studios VFX producer Jen Underdahl. Weta Digital VFX supervisor Matt Aitken spoke about the digital prosthetic used in Tony Stark’s death scene. Visual effects for Infinity War were created by Industrial light and Magic. The main title sequence was created by Perception. The models and textures for the Iron Spider suit were shared with fellow visual effects vendor Trixer in order for them to implement them in Spider-Man Home Coming where it was first seen. Frame store also worked on the Black Order's Q-Ship, and Doctor Stranger's "Eldritch magic", which was updated from its first appearance in Doctor Strange. Cinesite's work on the interior of the Q-Ship when Ebony Maw interrogates Strange consisted of 215 shots. The company also worked on the small fight between Iron Man, Spider-Man, Strange and the Guardians on the ship, which required full character animation, blaster and web effects, CGI daggers, Star-Lord's mask, Mantis' antennae, and damage to the Q-Ship. The post-credit sequence, the opening scene in Central Park, the scene when Black Panther presents Bucky Barnes with his new arm, interior shots of the Quintet. The company created a new facial capture application called Masquerade, based on the concept of machine learning through computer algorithms, specifically for the film, beginning work on the system 3–4 months before filming began to develop and test it. They presented their results to Brolin, the Russo, and executives from Marvel ahead of filming to demonstrate the subtleties Brolin would be able to bring to the character, which helped inform Brolin how to portray the character. Before the start of filming, Brolin's facial expressions were captured with ILM's Medusa system, which along with his motion capture data from set, were fed to Masquerade to "create a higher-resolution version of what Brolin did on set" so animators could apply that to the CGI character. Kelly Port, Digital Domain's VFX Supervisor, noted the design of Thanos took into account the versions that appeared in previous films, but were adjusted more towards Brolin's features, which also helped with matching his performance to the digital character.


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